 |
 |
|
|||||||||||||||||||||||||||||||||||||||||||||||
|
 |
|
|
|
 email this review to a friend
Two American tourists, Jack and David, are backpacking through England when they stop for rest at a pub in the country, the Slaughtered Lamb. The strange people at the pub are less than welcoming, and let the two young men venture back out on their own with the warning to "Stay on the road. Keep clear of the moors." Jack and David take this as normal weird behavior and take a shortcut through the moors, only to be attacked. Jack is killed and David awakens in a hospital with a few scratches. Judging by the title, I'm sure you know by now: they were attacked by a werewolf. David, since he has survived the attack, is now a werewolf himself, and will transform into the beast during the next full moon. It's a story we've all heard a thousand times, right? Especially lately with terrible renditions of the story such as "Blood and Chocolate" and "the Skinwalkers". "An American Werewolf in London" is, in my opinion, the definitive werewolf film. I had dismissed it previously due to the poor reception of "An American Werewolf in Paris". I've always associated the two and thought that if "Paris" wasn't any good, then "London" couldn't be good either. Ever since I had heard that "London" was the reason that the Academy Award for Best Makeup was created, I've wanted to see it. How could a werewolf movie possibly be this good? The make up award is absolutely ascertained in this case. The werewolf is amazing! If they were to make this movie now, I'm sure most of the werewolf would be CGI. If not the werewolf, then for sure most of the transformation. But back in the early 80's, this wasn't possible. I mean, just look at the TV in Nurse Price's apartment! And the metal box above David's bed in the hospital with all of the little switches and lights! The entire transformation in this film is real, and it makes it that much more scary and amazing. David's hands grow before our eyes, his sharp nails poking out from under his regular nails, the hair appearing on his back, chest and feet. And then, just when you thought that it couldn't get any better, his face grows too. He grows a snout, just like a wolf. It's really an awesome sight. The first transformation occurs about an hour into the movie and by this time the audience is ready for it. When it happens, it happens right before our eyes. Nothing is hidden. The werewolf is one makeup achievement in the film, the other is Jack's makeup. Jack has been killed by the werewolf in the beginning, but he returns to David throughout the film to give him advice. He's also dead and in "limbo" so he progressively decays. David even refers to him as a "walking meat loaf". Oh and the soundtrack makes the transformation scene. During this hideous transformation, the song "Blue Moon" is playing. The soundtrack is perfect for this film. Director/Writer John Landis picked the songs for the film: every one of them has the word "Moon" in the title. "An American Werewolf In London" would be a great film without the astonishing make up effects. The dialogue is brilliant and hilarious. The banter in the opening scene with Jack and David is real and establishes a great chemistry between the two. Some of their quotes: Jack: Do you think she'll meet me in Rome? David: I think Debbie Klein is a mediocre person with a good body. Jack: Debbie is not mediocre and she has one of the great bodies of all time. David: She's a jerk. Jack: You're talking about the woman I love. David: I'm talking about a girl you want to f*ck, so give me a break. Jack: Well, anyway, do you think she'll be there? David: I don't know. Jack: [like an announcer] Rendezvous in Rome starring Jack Goodman and Debbie Klein. The love affair that shocked Europe! See torrid lovemaking at its most explicit! See Jack and Debbie expose their lust in the sacred halls of the Vatican! Never has the screen dared.... David: If you don't stop, I'm going to kill you. Jack: I have to make love to her. It's very simple. She has no choice really. David: It just fascinates me that you can spend so much energy on someone so dull. Jack: There is nothing dull about that body. David: We've known Debbie what, since the eighth grade? How many years of foreplay is that? Jack: She says she "likes me too much". This is just in the very beginning of the movie, there are tons more! This is truly a comedy/horror, and one of the best. If you haven't seen it yet, you're missing out on a classic that is still holding its own over 20 years later. email this review to a friend
Comment on this Review:
 Subscribe to MatchFlick Movie Reviews through RSS |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
RSS | Privacy Policy | Terms of Use | About MatchFlick® | Press | Contact Us | FAQs
Partnership and Advertising Opportunities | Movie Database | Merchandise ©2004-2008 MatchFlick®. All rights reserved. ©MOVIE IMAGES ARE COPYRIGHT PROTECTED AND THE PROPERTY OF THEIR RESPECTIVE OWNERS |