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After listening to a couple of reviews of "The Da Vinci Code", I wasn't expecting a lot. It has been a long time since I have heard such universally bad word of mouth regarding a film; people laughed and hissed during the screening at Cannes, it received a bad review on a local NPR station, practically every website has lambasted the film. But I went anyway, so I could give you my honest and true opinion. It wasn't that bad. Now, you may be asking yourself. "Wow, thornhill says the movie wasn't that bad. Maybe..." Stop for a moment. Do you really want to spend $8 or $11 on a film that 'wasn't that bad'? While "The Da Vinci Code" is not the worst film I have ever seen, it is certainly far from a good film. I have the same problems with the movie that I had with the book. The book is a fun read, a good page turner, but it isn't a great piece of literature. The author does what many authors do nowadays; they write their books to be made into films. As you are reading a chapter, it will suddenly end. A new chapter will pick up with a different character and location, and then it will stop. The next chapter will pick up where the first ended. In other words, he is writing the scenes of the 'movie', editing his book much like a film. Also, when movies are made based on books, they generally streamline the dialogue, characters and action. If a book is already written this way, what options do the filmmakers have? Either they add dialogue, character and action or they further streamline it. In the case of "Da Vinci", they further streamlined it, making it less interesting and more movie-like. They have watered down something that was already watered down. Robert Langdon (Tom Hanks), a Professor of Religious Symbology at Harvard, is in Paris to give a lecture. During the lecture, Jacques Sauniere, the curator of the Louvre, is murdered by an albino monk (Paul Bettany). Before he dies, the curator leaves a series of clues for Langdon and Sophie Neveu (Audrey Tautou), a police woman who turns out to be Sauniere's granddaughter. The local police chief, Bezo Feche (Jean Reno), immediately suspects Langdon of the murder and chases them through France and England. Along the way, a mysterious Bishop (Alfred Molina) plots to reveal the secret Sauniere, Langdon and Neveu are trying to keep. Along the way, Langdon meets an old friend, Sir Leigh Teabing (Ian McKellan), who has spent his life trying to decipher the Da Vinci Code. Along the way, they run into members of mysterious branches of the Catholic Church and religious history, including Opus Dei, the Knights Templar and more. Directed by Ron Howard and written by Akiva Goldsman, "The Da Vinci Code" is perfectly serviceable at times, but also a bit amateurish and 'TV movie of the week-ish" at others. There is zero chemistry between Tom Hanks and Audrey Tautou. They only appear to even like each other towards the middle of the film. Until that point, they are thrown together by circumstance and seem merely to tolerate one another, realizing they each have information the other needs. Granted, Tom Hanks is quite a bit older than Audrey Tatou, but you might expect some sort of chemistry to appear, to make them attached to one another by more than circumstance. The supporting cast is generally acceptable. Paul Bettany is the most interesting as a weird Albino monk who believes he must cleanse himself of his sins with self-flagellation. Alfred Molina's Bishop is a bit too mob-like, but interesting as well, providing a caricature of what extremes someone will go to keep a secret. Jean Reno appears bored as the police inspector. Sir Ian McKellan is interesting as the obsessed historian, but his performance contains so much exposition, you lose the train of thought after a while. The main problem with the film is there is so much exposition. In virtually every scene, two or three characters are discussing various aspects of religious symbology. In many, one character will posit a theory and Langdon, Neveu or Teabing will contradict them and explain why they are wrong. This happens over and over again. It reminded me of early sound films. Because the technology was new and big, they couldn't move the microphones very much, for fear of creating static, or making it difficult to hear the actors. The result? In many early sound films, the actors stand together, in front of the camera, talking, much like a stage play. Not exactly the most engrossing method of storytelling. Howard seems to have borrowed this approach. The few, brief action sequences are spread throughout the almost 2 hour 30 minute film, leaving a lot of room for people standing around talking. "The Da Vinci Code" is meant to be part thriller, part mystery. When one of the characters says "I need to get to a library, quick!" you have to wonder how much time they It won't fit. Please read the full review at thornhillatthemovies.com email this review to a friend
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