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An inevitable idea: a working man (Michael Keaton) who can't meet all his professional and family responsibilities has himself cloned. It works so well having one copy of himself to take charge of matters at the office that he makes another copy who takes care of the home front. Pretty soon, different aspects of Keaton's personality are emphasized in the different clones: the laborer becomes a macho creep and the domestic god becomes rather feminine. A third clone, struck from the duplicates instead of the original, becomes like a photocopy of a photocopy: inferior. This timely comedy should be better than it is, but special-effects...